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August 31, 2010

Table of Contents

EventDV-TV Presents This Week at WEVA with Philip Hinkle
Anton/Bauer Features DIONIC HCX High-Current Battery, CINE VCLX Power System, ULHM-LED and EledZ Modules At SET 2010
Canon Focuses On Professionals By Introducing Six New L-Series EF Lenses And Accessories
Canon Introduces Two New Compact XF-Series Pro Camcorders: XF105 and XF100

EventDV-TV Presents This Week at WEVA with Philip Hinkle

EventDV 25 All-Star Philip "Frogman" Hinkle from WEVA Expo 2010

EventDV-TV Presents This Week at WEVA with Philip Hinkle, a three-part series produced at WEVA Expo 2010 and featuring the latest and greatest from the event filmmaking industry's largest conference and trade show, held August 23-26, 2010 in Orlando, Florida.

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Anton/Bauer Features DIONIC HCX High-Current Battery, CINE VCLX Power System, ULHM-LED and EledZ Modules At SET 2010

Anton/Bauer®, a brand of The Vitec Group, and the world’s premier provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will showcase its DIONIC® HCX, CINE VCLX Power System, and ULHM-LED and EledZ LED light solutions at the SET Congress and 19th edition of Broadcast & Cable Show - International Technology Fair on Equipment and Services for Television Engineering, Broadcasting and Telecommunica-tions.

Anton/Bauer will demonstrate the versatility of its powerful solutions for broadcast and film environments at its booth (Booth D11), including:

  • The DIONIC® HCX has a 120 watt-hour capacity, a built-in motion detection sensor and a “deep sleep” capability, which increases battery life by mitigating lithium-ion battery self-discharge when the battery is not in use. Lightweight and powerful, the DIONIC HCX can withstand high instantaneous current draws and weighs just 2.4 pounds (1.09 kg). In addition, the DIONIC HCX offers an enhanced LCD RealTime® fuel gauge showing up to nine hours of run-time when used under low-power load conditions.

  • The CINE power system provides ultimate power performance, extended run-times and flexibility, ideal for remote locations, the CINE VCLX batteries are powerful enough to run a camera and stand-up light simultaneously for more than five hours. The safe and high power draw performance of the Nickel Metal Hydride cell technology can also power microwaves, recorders, and lighting; including HMI’s and the Litepanels 1x1 LED panels. The CINE VCLX includes (2) 4-pin XLR for 14.4V and (1) 3-pin XLR for 28V and provides dual simultaneous outputs (20 amps at 14.4V; 12 amps at 28V).

  • The EledZ integral LED light, designed for use with the popular Anton/Bauer ElipZ 10K battery, are the perfect LED light for today’s smaller handheld cameras. When used with the ElipZ battery system, the EledZ (5.74 H x 3.94 L x 2.27 W in/14.58 x 10.01 x 6.02 cm) produces heat- and flicker-free soft bright light of 5600K and weighs a mere .45 lbs (.20 kg). Consuming only 4.5 watts, the EledZ includes a dimmer which allows for light output adjustments from zero to 100 percent. The light output is 52fc (560 lux) at two feet.

  • Developed by Anton/Bauer with sister Vitec group brand, Litepanels, ULHM-LED light module complement Anton/Bauer’s existing Ultralight® Series and ElipZ® battery systems. The versatility of the Ultralight head module has been its most beneficial feature over the past 20 years, allowing a videographer to quickly change to an HMI (UltraDAYlight) or carry a spare head module. The ULHM-LED (4.50 H x 5.64 L x 1.62 W in (11.4 x 14.3 x 4.1 cm), weighs only .40 lbs (18 kg) and provides heat- and flicker-free soft bright light of 5600K. With a very low power consumption of nine watts, the added ability to dim the light from zero to 100 percent with minimal color/temperature change makes this the most efficient LED light available. The ULHM-LED head module puts out 100fc (1100 lux) at two feet while consuming a third of the power of a tungsten light.


ABOUT ANTON/BAUER
Anton/Bauer is recognized as the world’s innovator and premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, video and film industries. Based in the United States in Shelton, CT with offices in Europe and Asia, Anton/Bauer was established in 1970 and has expanded its product offerings to include many signature lines such as its leading Gold Mount® system, InterActive® chargers and Logic Series® batteries such as the HyTRON® 50, 100 and 140, and DIONIC® 90, 160, HC and HCX. Their products are compatible with virtually every camera brand on the market today. Other Anton/Bauer high performance products include the Ultralight®, ElipZ®, ElightZ®, CINEVCLX and CINE VCLX/2. Their superior-quality products have become an industry standard. For more information on Anton/Bauer, visit http://www.antonbauer.com.

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Canon Focuses On Professionals By Introducing Six New L-Series EF Lenses And Accessories

Canon U.S.A., Inc., a leader in digital imaging, rounds out its Summer product introductions with four new L-series lenses and two new accessory extenders for professionals and advanced amateurs. Leading the introductions, the EF 8-15mm f/4L Fisheye USM lens is the world’s widest fisheye zoom lens, providing professional photographers and cinematographers with a unique optical tool for capturing 180º angle-of-view shots on all EOS Digital SLR cameras.

Photographers looking for a broad focal length range with excellent image quality will enjoy the Company’s first L-series 70-300mm telephoto zoom lens, the new EF 70-300mm f/4.5-5.6L IS USM lens, delivering outstanding sharpness, contrast and color fidelity in a compact, lightweight form factor. Canon is introducing two new versions of its popular super telephoto lenses, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM super-telephoto lenses delivering incredible image quality at all apertures for professional photojournalists, sports and wildlife photographers. For professionals and advanced amateurs looking to push their L-series Canon telephotos to the limit, the Company is proud to upgrade its two popular extenders with the new Canon Extender EF 1.4x III and Extender EF 2x III for additional telephoto reach and exceptional clarity. Photographers will immediately notice that the latest Canon L-series telephoto lenses and extenders have a more neutral white tone compared to earlier models. This new shade of white will be used with all L-series telephoto lenses and extenders beginning in the second half of 2010. The introductions of these Canon lenses have been timed with Canon’s latest camera introduction, the Canon EOS 60D Digital SLR camera, designed for advanced amateurs and emerging professional photographers.

“Canon’s core has always been our optics, and we are constantly challenging ourselves to produce better and more advanced optical systems for our customers. These six new products advance the state of the art in Canon lens technology and provide new and innovative tools for professionals and advanced amateur photographers,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.

Canon EF 8-15mm f/4L Fisheye USM lens
With its unique focal length range, the EF 8-15mm f/4L USM is the world’s widest fisheye zoom lens. It delivers 180º diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180º circular fisheye images for full-frame EOS models. Professional photographers and cinematographers will revel in the unique perspectives afforded to them through this lens, particularly when coupled with the highly popular full-frame EOS 5D Mark II DSLR camera. Canon’s new Fisheye zoom lens features both UD and aspherical lens elements to enhance image quality and is equipped with rubber gaskets and seals to enhance weather resistance. Canon’s proprietary SWC (Sub Wavelength Structure Coating) is used to minimize flare and a new fluorine anti-smear coating is applied to the front and rear elements to make lens cleaning easier than ever.

The Canon EF 8-15mm f/4L Fisheye USM lens is expected to be available in January of 2011 for an approximate retail price of $1,400.

Canon EF 70-300mm f/4-5.6L IS USM lens
Compact and lightweight, yet durable and professionally sharp, the EF 70-300mm f/4-5.6L IS USM lens is the ideal telephoto zoom lens for advanced amateurs looking for that extra reach to bring a subject in tight and close. Providing the power and durability to maximize every shooting opportunity, the Canon EF 70-300mm f/4-5.6L IS USM lens features two UD ultra-low dispersion glass elements for enhanced sharpness, L-series weather and dust sealing for shooting in harsh conditions, improved mechanical design, and streamlined ergonomics to help avoid inadvertent mode switch operation. The shapes of the lens elements and their coatings have been optimized to minimize ghosting and flare to produce high-contrast and high-resolution throughout the zoom range. A sophisticated floating system optical formula optimizes image quality at all distance settings and reduces minimum focusing distance by more than a foot. An updated optical image stabilization system compensates for camera shake up to an equivalent of four full shutter-speed steps, a full step improvement compared to earlier EF 70-300mm lenses. A new fluorine anti-smear coating is applied to the front and rear elements.

The Canon EF 70-300mm f/4-5.6L IS USM lens is expected to be available toward the end of October for an approximate retail price of $1,500.

Canon EF 300mm f/2.8L IS II USM lens
The Canon EF 300mm f/2.8L IS II USM is the 6th generation of a venerable family of Canon 300mm f/2.8 lenses that began in 1974, and have become famous for their exceptional sharpness, contrast and color fidelity. Ideal for a wide range of applications ranging from professional photojournalism and sports photography to nature and wildlife, Canon’s 300mm f/2.8 lenses have always led the industry with new technical advances in every generation. The EF 300mm f/2.8L IS II USM lens carries on this tradition with improved image quality, lighter weight, improved Image Stabilization and enhanced durability making it a great option for handheld work in the field. The optical formula of the new lens has been upgraded with the inclusion of two fluorite lens elements for improved image quality and reduced chromatic aberration. Helping to reduce arm fatigue, Canon has reduced the overall weight of the lens by 13 percent to 82.9 oz., making it the lightest weight lens in the Canon EF 300mm f/2.8 series. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating applied to the front and rear elements.

The Canon EF 300mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $7,000.

Canon EF 400mm f/2.8L IS II USM lens
Quintessential for many sports assignments including baseball, football, soccer and golf, Canon’s professional 400mm f/2.8 lenses provide the light gathering capability and long telephoto reach that photographers need to freeze the action and fill the frame . The Canon EF 400mm f/2.8L IS II USM is the 5th generation in Canon’s 400mm f/2.8 series and the successor to the current EF 400mm introduced in 1999. The new lens has been engineered for the ultimate in optical performance through the use of two fluorite lens elements for improved quality and reduced chromatic aberration. Helping photographers in the field, Canon has reduced the overall weight of the lens by a substantial 28 percent from 189.4 oz to 135.8 oz, making it Canon’s lightest weight 400mm f/2.8 lens ever. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating is applied to the front and rear elements.

The Canon EF 400mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $11,000.

Canon Extender EF 1.4x III & Canon Extender EF 2x III
The two new EF extenders are direct replacements of the current extenders offered by Canon as essential accessories for professionals. These new extenders have been designed to provide faster autofocusing and improved autofocus precision with compatible EF lenses. Each extender includes an anomalous dispersion lens element for reduced chromatic aberration and enhanced optical image quality. Each extender also features a newly developed microcomputer that increases AF precision when the extenders are used with a IS Series II EF super-telephoto lens. Both extenders are equipped with rubber gaskets and seals to enhance weather resistance. A new fluorine anti-smear coating is applied to the front and rear elements of both extenders.

The Canon Extender EF 1.4x III & Canon Extender EF 2x III are expected to be available in December for an approximate retail price of $500 each.

New Lens Features
In addition to an anti-reflection multi-coating, the front and rear elements of all newly announced EF lenses and extenders are treated with Canon’s new fluorine anti-smear lens coating. The fluorine layer is highly oil- and water-repellent so that any oil smears or water droplets on the lens can be wiped off quickly and easily without the aid of solvents using a soft dry cloth. These four new lenses and two new extenders are the first of their type to employ fluorine coating, and it is expected that this new feature will enhance the usability of the lenses during adverse shooting conditions.

The new Series II EF super-telephoto lenses can correct camera shake up to four full shutter speed steps, compared to two shutter speed steps for the original versions. This improvement is made possible by a new low-friction stabilizer mechanism that is not only more efficient than the previous design but also smaller and lighter. Other enhancements to the IS systems of both new super telephoto lenses have enabled quieter operation ideal for use during video capture.

Providing professional sports and wildlife photographers with greater tracking flexibility, Canon has introduced a third Image Stabilization mode option to its new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM lenses. When mode 3 is selected on the lens, the image stabilization effect will not be seen in the viewfinder. When the shutter button is pressed halfway, the lens will begin detecting camera or lens movement and only during exposure, when the shutter is fully depressed, will the Image Stabilization engage and provide the equivalent of four stops faster compensation for blur-free images. The new Mode 3 is particularly useful when a photographer does not want to see the IS working in the viewfinder while tracking a moving subject.

Helping moviemakers achieve smoother and more appealing focus shifts when filming on EOS DSLR cameras, Canon has included a new Power Focus (PF) mode on the Company’s two new super telephoto lenses. This mode allows manual rack focusing to be operated smoothly by turning a playback ring that is normally used for the focus preset function. Both low-speed and high-speed focus shifting are available.

Additionally, a new security slot attachment has been included on both new super-telephoto lenses to allow a wire-type security lock to be easily affixed, a great safety feature for professionals shooting from high vantage points above arenas and crowds.

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Canon Introduces Two New Compact XF-Series Pro Camcorders: XF105 and XF100

Canon U.S.A., Inc., a leader in digital imaging, today announces the new Canon XF105 and XF100 Professional Camcorders for mobile HD video capture in a compact form factor. Canon's smallest professional camcorders, the new XF105 and XF100 utilize the same Canon XF Codec featured in the Canon XF305 and XF300, introduced earlier this year. The Canon XF Codec is an MPEG-2 4:2:2 50Mbps codec used for exceptional high-definition image quality, full non-linear editing (NLE) systems compatibility and efficient, robust workflow. These camcorders include in-camera features enabling the easy set-up and capture of high-definition 3-D video when two XF105 or XF100 camcorders are paired, as well as Canon's built-in infrared low-light feature enabling the capture of HD video in complete darkness. Both models record to Compact Flash (CF) cards and feature hot-swappable card slots for maximum performance. Differentiating the two models are industry-standard HD-SDI output and genlock in/SMPTE time code (in/out) terminals available on the Canon XF105. The XF105 and XF100 camcorders are ideal for Electronic News Gathering, documentary and independent filmmaking and event videography.

"Whether used as a companion to the XF305 or XF300, or as a stand-alone camcorder, the XF105 and XF100 are geared for a wide range of applications where high image quality, extreme portability and efficient workflow are of the utmost importance. And with true stereoscopic 3-D production and infrared recording capabilities, they allow users to expand into new markets," stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A., "This week we will be exhibiting both the Canon XF105 and XF100 at Canon EXPO 2010 in New York and demonstrate the versatile low-cost capabilities."

The Canon XF105 and XF100 Professional Camcorders feature a Genuine Canon 10x HD Zoom lens which provides the mobility and optical performance required by the most demanding professionals. Each model includes a Canon developed and designed native Full HD 1920 x 1080 CMOS image sensor and the new Canon XF Codec for extreme color detail required for accurate chroma-keying, color-grading and compositing for digital filmmaking. For finer transitions in tone and color, 4:2:2 color sampling offers twice the color resolution of HDV and other 4:2:0 formats. And to maximize compatability with existing industry infrastructure, video, audio and metadata are combined in an MXF (Material eXchange Format) File Wrapper, a widely supported open-source format. The Canon XF Codec is currently compatible with leading software programs widely used within the video production and broadcast industries including those available from Adobe, Apple, Avid, and Grass Valley.

To maximize the camcorders' adaptability across various production environments, Canon has equipped each model with the ability to record at multiple bit rates, resolutions and variable frame rates for slow and fast motion.

Additional professional features include variable-interval (for time-lapse) and frame-record for stop-motion animation, and a photo feature for frame-grabs.

Genuine Canon 10x HD Zoom Lens
The Canon XF105 and XF100 Professional Camcorders feature a Genuine Canon 10x HD Zoom lens with a 35mm equivalent zoom range of 30.4mm - 304mm. For professional looking results, both models offer an eight-blade iris which yields natural, smooth background blur with reduced lens diffraction. The lens also features a SuperRange Optical Image Stabilizer (OIS) system featuring Dynamic and Powered IS modes for optimal performance in the greatest variety of situations.

DIGIC DV III Image Processor

The proprietary Canon DIGIC DV III Image Processor and Canon Full HD CMOS Image Sensor render native 1920 x 1080 HD video, capturing natural, lifelike colors with remarkable tonal gradations and detail. The DIGIC DV III Image Processor also powers Canon's innovative Face Detection Technology, an autofocus option that can significantly reduce the effort required when camera operators work alone, such as in news gathering applications.

Compact, Comfortable Ergonomics and Operation

Weighing less than 3lbs, these models are designed to maximize comfort while shooting and enable fast on-the-go recording with both a top and side grip option. Eachcamcorder also features a convenient, freely rotating 3.5-inch, 920,000 dot LCD monitor and .24-inch 260,000 electronic viewfinder with approximately 100 percent field of coverage. The LCD monitor provides a display of the camcorders' built-in waveform monitor to aid in achieving accurate exposure while shooting. Additionally, the LCD can show peaking, edge-monitor-focus and magnify the image, enabling users to confirm critical focus, an essential objective in all HD production.

Affordable 3-D Shooting
Canon offers built-in features to assist with 3-D production, including OIS Lens Shift to aid in optically aligning two XF105 or XF100 camcorders and a Focal length Guide for displaying the zoom position of each camera in relation to each other and calibrating the zoom distance. This adjustment can be done through the menu system while the camcorder is mounted to a rig or tripod. Once aligned, the amount of the angle-of-view change is displayed after zoom adjustment, preventing camera misalignment and simplifying adjustment.

Infrared Shooting
The Canon XF105 and XF100 include an infrared feature enabling the capture of HD video shooting in conditions with little tozero ambient light, which is ideal for Military and Law Enforcement markets, as well as Nature and Wildlife videographers. The XF105 and XF100 also feature an infrared emitter with a diffuser as well as a Green or White color option to shoot pleasing infrared imagery even in complete darkness.

Audio Flexibility

The Canon XF105 and XF100 Professional Camcorders feature dual XLR inputs for external audio sources as well as a built-in stereo microphone. The new camcorders support 16-bit PCM audio at 48 kHz with automatic and manual audio level adjustment

Both the Canon XF105 and XF100 are scheduled to be available in the first quarter of 2011.

http://usa.canon.com

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